Accademia Riaci
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Nov. 12, 2015 | Posted in Senza categoria , | Tags:, Reporter: | Course: Restoration of Paintings

Painting Restoration 11-Internship Course 2015-17

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1700年代初期の祭壇画の補彩に入ります。4メートル近い大作のため、足場や踏み台などを駆使したり床に寝そべって筆を握るなど、厳しい体勢で長時間にわたる作業が続くことも多いです。欠損部分に加え、キャンバスの糸目にそってグレース層がはげてしまっている箇所などを丁寧に見直し、補彩していきます。

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マニエリスム期の画家ポントルモの代表作、《聖母のエリザベツ訪問》を見に、カルミニャーノのサン・ミケ―レ聖堂に足を運びました。傑作と呼ばれる巨匠たちのほとんどの作品が、元々置かれていた教会などからウフィッツィを始めとする各美術館に保存される中、この作品は、描かれた当時から今日まで都市から離れた静かなこの場所にあります。近年修復されたばかりで、その鮮やかな色使いや布の表現には息をのむばかりです。小さな聖堂ですが、他の同時代の祭壇画も保存されています。


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