Accademia Riaci
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2月. 23, 2017 | Posted in 未分類 , Student Reporter | Tags:Eri Hosokawa, Restoration of PaintingsReporter: | Course: Restoration of Paintings
Painting Restoration 44-Internship Course 2015-2017
全ての欠損にグアッシュでベースカラーを入れ、ニスをかけます。その後ニスが十分に乾くのを待って樹脂絵具での補彩に入ります。いつも通りハッチングの技法で欠損を埋め、鑑賞距離から見たときにオリジナルの部分とよくつながるように留意しながら作業を進めていきます。色が剥げてしまっているところも、根気よく色を入れていきます。
After filling in all the defects with gouache used as base color, I varnished over it. I then let the varnish completely dry before adding colors with resin paints using hatching technique as usual. I carefully made it so the fixed parts have a natural flow to the original drawing when viewed from the appropriate appreciation distance. I patiently kept adding colors to the bigger defects where original paints are peeled off.
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