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Eri Hosokawa
Reporter
Eri Hosokawa

Nationality: Japanese
Course: Restoration of Paintings
Program: Internship Program
Period : Jun. 12, 2017 - Jun. 8, 2018

To add more practical experience in my career, I decided to study in Florence, the home of restoration work. I wish to improve my painting restoration techniques by experiencing various types of restoration works as well as learning the latest restoration techniques. I am looking forward to letting you know about my daily life in Florence and my weekend visits to churches, museums, and so on.

より実践的な経験を積むために、修復の都フィレンツェで学ぶことにしました。多くの事例に触れ技術の向上を目指し、最新の処置法や素材などもしっか り勉強していきたいと思います。こちらでの生活の様子やイベント、週末に訪れる教会や美術館などもお伝えしていきたいと思います。宜しくお願いします。

Sep. 30, 2016 | Posted in Reports, Restoration of Paintings , | Tags:, Reporter: Eri Hosokawa | Course: Restoration of Paintings

Painting Restoration 35-Internship Course 2015-17

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作品を木枠に張り込んでいきます。この作業のために付け足した張りしろの布のみを引っ張るため、作品自体には負荷がかからないようになっています。張り込んだ後は、邪魔にならないよう木枠の裏面に貼り付けます。

Eri HOSOKAWA_20160527_03

欠損の詰め物を作っているところです。膨潤させておいた膠を湯煎でとかし、ふるいにかけた石膏をすこしずつ加えていき、最後に静かにかき混ぜます。使用するときは、膠のタンパク質が変質してしまわないよう一定温度以下で温め、保存は冷蔵でと、温度管理が重要です。

Eri HOSOKAWA_20160527_04

Eri HOSOKAWA_20160527_05

Eri HOSOKAWA_20160527_06

Eri HOSOKAWA_20160527_07

Eri HOSOKAWA_20160527_08

Eri HOSOKAWA_20160527_09

石膏の詰め物を欠損部分に筆で詰めていきます。100以上ある欠損に、隙間なく適度な高さでとなると、それだけでもなかなか時間がかかります。中の水分が完全に乾くまで約一晩待ち、絵画層の高さまで専用の刃物で削っていきます。


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