Accademia Riaci
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Eri Hosokawa
Nationality: Japanese
Course: Restoration of Paintings
Program: Internship Program
Period : Jun. 12, 2017 - Jun. 8, 2018
より実践的な経験を積むために、修復の都フィレンツェで学ぶことにしました。多くの事例に触れ技術の向上を目指し、最新の処置法や素材などもしっか り勉強していきたいと思います。こちらでの生活の様子やイベント、週末に訪れる教会や美術館などもお伝えしていきたいと思います。宜しくお願いします。
Nov. 24, 2016 | Posted in Reports, Restoration of Paintings , Student Reporter | Tags:Eri Hosokawa, Restoration of PaintingsReporter: Eri Hosokawa | Course: Restoration of Paintings
Painting Restoration 41-Internship Course 2015-17
過去の修復で使われた、劣化してしまっている物質を刃物で丁寧に取り除いてから、新たに石膏の詰め物をのせていきます。前回までと同様、削ったのちに表面の細工をするという工程を、全ての欠損に施していきます。
After carefully removing deteriorated substances used in the past restoration work, the plaster filler is applied over each defect. As usually done so, I restore details on the drawing surface on every defect after filing the filler.
上記の作業が終わったら、樹脂絵具での補彩のためのベースカラーをグアッシュで入れていきます。乾いた後の色とニスがけした後では色が異なるため、専用の溶剤で色を随時確認しながら適切な色を作っていきます。
When the above work is done, guache is put over as a base color for resin paint colorings. Since the varnish will change the paint color, I keep checking and making true colors using special solvent.
平行して行っている別な作品の補彩の様子です。絵具がかすれ、赤茶色の地塗り層が見えてしまっている個所のみ、丁寧に色を補っていきます。顔がわかりにくくなっていたドラゴンも、他の作品などを参考にしながら、不自然にならないよう仕上げていきます。
This is another drawing I’m restoring right now. Everywhere the reddish brown base color is showing because of the faded top paint, is precisely colored. I referred to other dragon artworks to restore the unidentifiable dragon face to naturally recognizable level.
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